Adam And Eve The Duality Of Humanity Religion Essay

Adam And Eve The Duality Of Humanity Religion Essay Paradise Lost’s Adam is a rational, clever and trustworthy character who has an amazing rapport with the highest power, God. It can even be argued that before he fell, his was the epitome of humanity, as perfect a human as ever existed. He shares this trait with Eve who is the most perfect and complete woman. This view has been reciprocated by many religious denominations but each has interpreted it in their own unique ways; from Calvinists to puritans to Milton each has interpreted the story of Genesis in their own unique way. Like Adam who was perfect, to the belief that eve was flawed, each has built their own mythos around the story of the genesis of mankind. The Adam represented in Milton’s Paradise Lost is an exceedingly rational being, and can understand greatly sophisticated and complex ideas nearly instantaneously. However this perfection hides several deep and critical flaws present within his character. His character and insight is demonstrated when after ob serving Raphael’s descent into Eden, Adam orders eve to, â€Å"go with speed, / And what thy stores contain, bring forth and pour / Abundance, fit to honor and receive / Our Heav’nly stranger† (V, 313-316). To which Eve answers, â€Å"Adam, earth’s hallowed mould, / Of God inspir’d, small store will serve, where store, / All seasons, ripe for use hangs on the stalk† (V, 321-323). These word which at first seem stiff and of an overly formal method, nonetheless helps reveal the relationship of Adam and Eve. Adam is in charge, but his request for Eve to prepare a meal is not in any way dismissive. She understands that and her response, is in accord with that message. This transitory conversation is not that of a master and servant but of two people who hold themselves in equal regard. His relationship with Eve is not the only conversation between equals, as he also talks with Raphael as an equal. He converses with the archangel Raphael as an eq ual both, socially in his standing, and intellectually in his ability to clearly understand the meanings behind the Raphael’s words. However this ends after Adam’s fall from the grace of god. After his fall Adam loses his pure intellect and his rationality leading him to brash and increasingly non-rational actions, stripping him of his ability to converse with the angels as an equal. Adam’s greatest flaw is his unequivocal love for his wife Eve. He falls I love merely upon seeing her for the first, and even confesses to the archangel Raphael that his attraction is nigh overwhelming. Though warned by Raphael to keep his dangerous emotions in check he completely disregards Raphael’s earnest urgings. After Eve eats from the Tree of Knowledge of good and evil, quickly devours a fruit from the same tree in order to prevent him from being separated from her even momentarily. Eve has become an indispensable companion in his life and he will do anything in order to prevent himself from being separated from his only love. His other major weakness is his insatiable curiosity. He manipulates the angel Raphael to extract more information from him,

The witness beneficiary rule in S.15 of the Wills Act 1837 is outdated Essay

The witness beneficiary rule in S.15 of the Wills Act 1837 is outdated and in need of reform.Discuss this statement with reference to relevant academic and judicial comment - Essay Example 15 of the Wills Act 1837 which have prompted lawyers, paralegals, legal practitioners and academicians to observe that there is a need for amends, so as to have the pitfalls amended. One of the drawbacks in the Witness Beneficiary Rule in s. 15 of the Wills Act 1837 is the failure to capture the complexities that accompany the law of testation. Specifically, the Witness Beneficiary Rule negates a situation whereby a beneficiary of a will gets married to the main witness, 10 years after the signing of the will. This is a complex issue because the Witness Beneficiary Rule assumes that there is always a distinction between a beneficiary and a witness and this assumption fundamentally underpins and informs the legitimacy of the exaction of the will, upon the death of the testator. Instead, what is captured as a limitation, known as Gifts to an attesting witness to be void states that: if any person attests the execution of any will of any will to whom or to whose legal spouse any beneficial legacy, device, interest, estate, gift or appointment, of or affecting any real and/ or personal estate [apart from and except directions and charges for the payment of debt(s)], shall be thereby made or given such legacy, device, interest, estate, gift or appointment, shall, so far only as concerns such person or legally recognised spouse or any person claiming under such a person [a legally recognised spouse], be totally null and void, and such a person so attesting shall be admitted as a witness, to prove the execution of such will, or to demonstrate the invalidity or validity thereof, regardless such legacy, device, interest, estate, gift or appointment that has been mentioned in such will1. The provision above is therefore clearly derelict of the consideration of the circumstances that may impede the exaction of the Witness Beneficiary Rule in s. 15. To the effect of the above, solution to the complication above will be pegged on the circumstances

The Baroque Era Term Paper Example | Topics and Well Written Essays - 500 words

The Baroque Era - Term Paper Example In comparison to the forms of music preceding the Baroque music, the Baroque music is more intense, ornate and texturized in a lavish manner. The melodic line of the Baroque music is immensely decorated and has a rich counterpoint. A myriad of traits define the music of the Baroque era that include but are not limited to the basso continuo’s use and a faith in the affections’ doctrine which enable the composers to incorporate their feelings and emotions into their work. One of the most distinguishing features of music in the Baroque era is the emphasis it places upon the pace, volume and texture of the music. These features were altogether non-existent in the conventional music from the late Renaissance. Moreover, the Baroque music replaced the austerity of the early Renaissance and the Medieval style with the color of the instrument and the use of voice. In the Baroque era, there was an abundance of the secular forms of music and their use was just as much as that of t he liturgical styles of music. Imitative polyphony was one characteristic that reflected in most of the preceding music eras as well as in the Baroque era. It was used in the musical lyrics. On the contrary, the homophonic style was gaining increased attention and use in the music of the Baroque era, unlike the preceding music eras. Along with the employment of the homophonic music in the Baroque era, several innovative types of polyphonic music were surfacing in this era as well. Composers in the Baroque era were of the opinion that the counterpoint’s art.